Today, as I look out the window, I see over 100 Joshua Trees, and gratitude spreads over me like the sunshine on our beautiful Mojave!  We expect a high of 67°F today. If you live in a less temperate zone, I hope you have your February creative vitality flowing!

Weather changes, but our creative spirit can be nurtured in every season! Last year, on this date, we had snow! Beat the winter blues with creative choices.

With a number of ongoing projects, it has been essential to reevaluated my practice and reset goals this year. For me, it means fewer outside commitments and new personal directions. Each of us may need to re-focus on a different aspect of our art practice.
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As you approach spring, may I suggest some spring “cleaning” and a review of your resources?

TIME - Each of us has only 24 hours and 365 (1/4) days per year. A portion of your time may be obligated to work and family, making your own creative moments even more precious.  Are you giving away time?  Are you volunteering?  If so, examine this activity.  Volunteering is a wonderful activity that can build friendships and share ideas.  It supports the culture of your community.  Plan your schedule carefully and reserve time for your personal creative practice.
ART SUPPLIES - If your creativity involves the visual arts, supplies can be expensive. Take inventory.  If your medium is acrylic, you may want to try gessoed watercolor paper, a lovely surface for all water based mediums! Watch for sales.  Whenever I hear of someone clearing out art supplies, I jump and have been gifted paints, mediums, and more.  Although working large can be freeing, working small allows you to travel outdoors being inspired by what you see.  When traveling, I carry a small kit of watercolors, a small watercolor pad, 2 favorite brushes, 2 mechanical pencils and a fine point sharpie. I am learning to keep my plein air painting kit more compact so I can carry it easily. Talk to friends about art supplies.  You may even want to host an art supply swap.  One person’s trash is truly another’s treasure.  Have you learned to stretch your own canvas? Interestingly, I find very few do this today.  In my youth, my dad built wood frames and I stretched canvas - using a staple gun. Consider other do it yourself art supply projects.
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ENERGY – How much can you effectively accomplish?  Often less is more. (That being said, stretched canvas may well be worth the cost.) A trip to a gallery, library or museum can be well-spent visual inspiration.  A walk outdoors or a drive into beautiful surroundings can trigger creative ideas.  Plan time in your studio (even if it is the kitchen table or small closet). Unplug the phone, eliminate distractions, feed the pets, or wait until the kids are at school.  Don’t expect a masterpiece! Allow yourself to play; enjoy color and design. I must complete project commitments, but when I start painting just because the paint on my palette looks so delicious and an image pops into my head, the real magic happens!  
 
PAINTING PARTNERS - As in many realms of your life, with whom you spend time is important.  Some friends encourage.  Others leave you exhausted and drained.  The energy created by a group of joyful, enthusiastic creatives can act as a positive cheerleader. Choose carefully.  I love people, but I have really learned to enjoy solitude and getting to know myself. Do not hesitate to let your creative guide be yourself!

SPACE – The key to a good creative space is organization and careful choices. This does not require pristine neatness, but an orderly plan. As you work, supplies are tossed around or grabbed quickly.  Create your workspace: the kitchen table or a desk in a closet can serve beautifully.  Collect needed items and move the rest to another area.  If you must, place items not required in a hamper.  Remove it from distracting sight. Locate good light—next to the window or a lamp. I like carefully staged inspiration—a painting or print, a scented candle, an item reminding me of an artistic loved one. At the end of each session, clean up! Clean your brushes thoroughly.  For acrylics, I find plain water to be the least wearing on brushes, but I use a scrub brush and get ALL paint out!  Neaten up your creative area making it ready for your next session! If you must pack up, place items in a carrying container (a bank box, basket, hamper, tool chest) and create your own traveling studio!

​This month, the famous groundhog predicted an early spring, and although I appreciate beautiful winter light, my mind is moving ahead to spring! Each season provides something to anticipate – just as each season of our lives and art practice help us to look forward!
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Remember advice for the New Twenties:

Nurture your creative practice!
Plan new experiences and exploration, ever seeking inspiration!
Let your inspiration drive your art! 
Remember to encourage others!

Wishing you all the best for an artful year!

.Workshop News 2020:

​March 21 at Cactus Mart in Morongo Valley, CA (currently sold out, but you can sign up on the waiting list)

Desert Institute Field Class in Joshua Tree National Park: April 4th, Black Rock Campground, Yucca Valley
Capturing Joshua Tree landscapes with Acrylics (beginners welcome!)

Art Groove - Camp4Grownups! August14-19  Landscape Painting as a Creative Process. I am delighted to teach this summer at Camp de Benneville Pines summer Adult Art Camp!  My class will be one module at a full 6 day art camp experience in the beautiful mountains near Angeles Oaks, CA. Sign up early! Description below.

October ​Desert Institute Field Class in Joshua Tree National Park - date TBD

​New Online Shop  Last, but not least, I will be opening my new ETSY Shop on March 1. 
Ooh La La! I love the new items soon to appear on my online store, including these adorable stickers to match notecards! ArtbyJanisCommentz: French Press, will feature my first spring collection! After many years of painting and teaching, I fell in LOVE again! With France.  Everywhere I traveled, I discovered beautiful buildings and villages to sketch.  I want to share the beauty of French design with these lovely paper products and to invite you to bring a bit of France into your home.

​As we enter a new decade, I am sure many of us are pausing to evaluate the past few years, our habits and our gifts. It has been said 2020 will be a decade of clearer vision—let’s hope so. It is definitely a time to reflect on our priorities. 
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What has been a heavy weight and what allows you to soar?

In my own art practice, I have removed certain activities and obligations from my schedule and added new ones.  I am reflecting on one of the most important purposes for my life, to bring light and joy, to encourage others in this often dark confusing world.

​For 2020,
I am reflecting on my approach.  For me, the queen of multitasking, I have learned that this is not always wise.  Taking photos in our beautiful rare snow, making footprints in the ice to photograph for Instagram and then reading my mail as I entered the slick floored garage---combined for the perfect slip up – (or down!) and produced two tiny bone fractures last February! Less  multitasking. 
Learn to savor experiences.  Sights tastes, aromas, feeling, sounds! I am certain this will influence the inspirations that translates into a painting!

Time.  We know time is precious.  If your schedule is already busy, it is difficult to slow down and let creativity wash over your soul!  However, like exercise and good nutrition, you will reap the benefits of more creative opportunities.  One of the negative changes of the 20th century was created by the desire for more efficiency, faster “smarter” methods and packing more into each day.  No one has invented a longer day.  Know the lifelong restorative benefits of the arts!
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Change of scenery and continued lifelong learning.  I have had the good fortune to travel this year.  In fact, I seek the cozy interior of my studio.  However, even if travel is not in your budget, may I suggest subtle changes. If possible, take a different route to work or school.  Talk to new people.  Visit different places in your community: a park, a library, a museum, a swap meet, even a different supermarket! Add new books to your reading list, different genres of music and more.  New experiences awaken new ways to approach your creative practice—whether it’s poetry, painting, acting, playing an instrument, sewing, collaging or other art form.

​My recent trip to Savannah GA led me to observing and drawing amazing, and to a Californian, older architecture, reminiscent of European cities. It led to study of unfamiliar people and events. Upon my return home, I am drawn to the buildings of our Mojave in a new light- and with unexpected interest!  

​Locally, the small burg of Pioneertown came to  my attention. In 1946, the “Living, breathing movie set” was created by investors including Roy Rogers and Gene Autry. Today, “Mane Street” hosts small art galleries, specialty gift shops, a working Post Office, church and “Pappy &  Harriet’s Pioneertown Palace.”   Pappy & Harriet’s, originally the Cantina-an outlaw biker burrito bar, evolved into a tourist hotspot serving great food! And its performers have included Robert Plant, Leon Russell, Seann Lennon and, yes, Sir Paul McCartney! And, when I first was a teacher in the desert during the late 70’s,  we used to watch our principal bowl at the Pioneertown Bowl.  It was a working bowling alley then—rumors of its reconstruction are alive!  Lots of detail and inspiration for sketching and painting.  

​For the New Twenties:
Nurture your creative practice!
Plan new experiences and exploration, ever seeking inspiration!
Let your inspiration drive your art! 
Remember to  encourage others!
Wishing you all the best for an artful new year!

2020 Workshops
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Jan 14-16 Desert Landscape Painting at the Campbell House Inn   (photo) Campbell House web
April 4  Joshua Tree National Park Desert Institute:  Capturing Joshua Tree Landscapes with Acrylics https://www.eventbrite.com/e/capturing-joshua-tree-landscapes-with-acrylics-spring-2020-registration-82537434689
Aug 14 – 19  Camp Benneville de Pines Art https://www.uucamp.org/camp-calendar/Groove : Summer Camp for Adults  - Landscape as a Creative Process: Using Acrylic and Water-based Paints 
Oct (tbd) Joshua Tree National Park Desert Institute:  Plein Air Painting in the Park!

New Venture
I also hope to launch a new line of cards and paper goods based on travel sketches for my France Sketchbook Calendars.  Reaction (and sales) has been welcoming!
 

Winter Glow, 8 x 24, acrylic Janis Commentz in a private collection

Nurture YOUR CREATIVE SIDE even when it’s cold outside!
     In this busiest of seasons, I send you greetings and encouragement! The holiday season is filled with a variety of colors, scents, emotions and a distracting array of activities! As days grow shorter, we seek light-- metaphorically – an, as an artist, literally.
   Winter daylight, casting deep shadows, creates a surreal backdrop. Snow glistens on majestic mountains. Dramatic shadows drape themselves on buildings and stone structures. Warm afternoon light bathes a a holiday table or a pet in a window.

    Before this inspiring winter light slips away, nurture your creativity.  I believe we are creative beings made in the image of a creative God. Observe the winter beauty of the season. Make a mental note or even better, I encourage you to record your surrounding in a quick sketch! Even a hasty contour sketch with indications of shadows can be an inspiration for a future painting.  We rely heavily on photographs, but we know the eye provides intimate and accurate information and color as a camera cannot. Plein air artists understand this well. No matter your painting style or art form, light and contrast deeply affect your work.

​    Celebrate the reason for the season, enjoy special moments with your loved ones, but take time to record the effects of the changing course of the sun, especially as we approach the shortest day of the year. Here are a few wonderful paintings by well- known painters--just to contemplate.

   Or the longest day of the year! ​As our connectedness to other parts of the globe increases, I am profoundly aware of the Southern Hemisphere’s summer during December. As I watch posts from artists in New Zealand, Australia, South Africa and more, I am more curious about December in this warm zone. It has been very enlightening (pun intended) to see posts about art exhibits, open studios and workshops from these regions.  Three artists that come to mind are Richard Claremont (Sydney, Australia), Beth Lowe (Kommetjie, Cape Town), and Tracy Verdugo (New South Wales, Australia).  Their sunny creations pierce our northern hemisphere with warm beauty!

As a painter, I feel my strongest images have emerged from the winter light and longer shadows.
The painting at the beginning of this post emerged a after a Christmas Day hike in Joshua Tree National Park. Golden Glow captures the late afternoon sunlight.

​Wishing your many afternoons of sunshine!

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Each day is different, yet even during troubling periods, you can make decisions to bring at least some joy into your life.
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In the desert, November started with glorious, sunny, yet crisp weather—a dip into the 30’s at night.
 
October was a very busy month for me – “art season” as they say.  Teaching a  painting day-workshop in Joshua Tree National Park, two weekends of opening our home and my studio on Hwy 62 Open Studio Art Tours and, because I believe we all need inspiration from outside sources, a first time visit to the LA Brewery Artwalk – a twice a year event where 104 arts open their studio lofts to the public.

Teaching Desert Institute class, open studios photos - including the model purchasing the photo of herself hiking, and adventures at the LA Brewery Artwalk:

​My head is spinning with creative ideas!—in need of rest and restoration.

This weekend, while attending the funeral of and elderly friend’s husband, I was reminded of the seasons of life and our lifespan on this planet.
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As artists and artlovers, the richness of our lives comes from a range of emotional experiences. Although we cannot control all circumstances, we can learn to be content—and by storing up kernels of wisdom and creativity, we can create and spread joy.

On that note, let me encourage you to set some creative goals for 2020!

• Take a class!  You will learn something new and meet people with common interests.  Since I retired from public school teaching, I have attended at least one workshop each year.  Although I have painted almost all my life, I always learn about new materials, what inspires others, how to enjoy different points of view and more.  Invest in yourself.

And you may want to consider taking one of mine:
I enjoy teaching a sharing painting tips, especially in our beautiful Mojave Desert! Each spring and fall, I teach a Saturday  plein air painting  class in the beautiful Joshua Tree National Park through the Desert Institute https://www.joshuatree.org/desert-institute/field-classes.html
In January, I will be teaching a two night/three day water based painting workshop at the historic Campbell House Inn in 29 Palms and will be directed to beginning and intermediate level painters.  Come play with us in the sunny Mojave Desert, a perfect winter get away January 14 – 16th https://artcantina.com/business-directory/desert-landscape-painting-with-janis-commentz/

• If your commitments, schedule or pocketbook do not permit you to take a class, let me encourage you to learn from books and online sources.  Today’s technology opens doors previous generations did not have access to!  Gather with friends for a collage day.  Find an online lesson.  Work alone or gather friends!  I have discovered podcasts (first at the urging of a good friend).  Plein air painting has grown enormously popular during the past decade and  artists share techniques on https://www.outdoorpainter.com/podcast/  In fact this summer, while painting interior walls, I found listening to be very meditative.  Look up the artist’s work on the internet first  to help you imagine them working.
• Jump in and make some fun art! A favorite annual project is to create small paintings on wood of ravens and crows. See photos above.  I can be downright silly with my creatures, lightening up some of the attitude that goes in to more “serious art!”  My husband cuts up a number of wooden blocks from 1x6’ lumber.  I have learned to use the small electric sander and prepare and paint my surfaces.  Canvas, cardboard, jars, wood panels, and recycled items  are fun to paint! And they can make a great holiday item. These will be available this weekend at an arts and crafts faire and then at Rainbow Stew in Yucca Valley.  If you would like me,  contact me via my website form.
• A fun project from my travels has been assembling a French Sketchbook Calendar for 2020 pictured below.  6 1/" x 8 1/2"  $12.00 (+ tax + postage) Contact me via my website contact form or social media.

​​There is a time for serious painting and a time for fun, a time for a more academic approach and a time to break “art rules”!  Does art still have rules?  After my lighthearted painting,  I begin to yearn to paint a bit more thoughtfully. I am eager to really work out my new lightweight plein air easel. Living near a National Park allows for some quick trips to wonderful vistas! However, urban areas, interiors, pets and so many more scenes provide great subjects for painting.

Your schedule may be very full, allowing only a brief time for any creative pursuit. Gather a few supplies.  Keep them where you can get to them.  It may be only a small box of watercolors in a mesh cosmetic bag ready to go.

Work in steps;  prepare the surface one day, find something to paint (photo or scene) on another and then pain on that third hour that you carved out. 

Gather objects for inspiration! Above (right) is a photo of an inspiration shelf I put together when I first retired from teaching and needed to surround myself with meaningful objects: (from top clockwise, Christmas music parchment belonging to my mother, photo of my mother in her 1940's ceramic studio, cubist self portrait by my uncle, Vermeer print - because I love his use of light, vase by local potter Ed Keeseling with a figure he sketched in my life drawing group, red asian wooden vase belonging to my mother, a jar of red earth from Texas that was supposed to be under the bed when I was born.  Haha-- it arrived too late for me to be born over Texas soil!

Make a move! Obstacles will enter our life.  I found myself journaling with a negative twist last week, ad made my self rewrite each with a  positive re-statement. I created a thankfulness bridge:

The whiny negative comments changed to encouragements.  

Make a plan.  Even if you have to modify it, have a general plan! Turn “I can’t” into “I can!” Jump in! Apply paint! Find objects for a collage! YouTube a project and follow directions.

Spread a little joy!

​Wishing you a wonderful November!  ~Janis Commentz

​…August…vacation…back to school…seeking to escape heat….
For most, we are seriously seeking inspiration.
 
What moves, propels, encourages, excites, helps you develop and sharpen senses?  What awakens, kindles, invigorates, amuses and delights?  This can be a tall order, but sometimes, if you can find even ONE of the above in your art practice, you have found a treasure.

​WHERE I Go
I find wisdom when I turn to Scripture to start my day.  Inspiration is often like kind words spoken. “A word aptly spoken is like apples of gold in settings of silver.” Proverbs 25:11 You may be familiar with Grace Noll Crowell’s lovely 1950 poem inspired by that verse:
Oh, to speak so fitly
That my words my be
Like bright golden apples
On a silver tree!
 
Oh, to write so wisely
That some hungering one
May reach and pluck that fruitage
Shining in the sun!
 
 
Beautiful craftsmanship, elegant carving, music and poetry are all praised in scripture. Inspiration is often like kind words spoken to your soul.

​Lately, I like to read a bit of poetry—especially by some of my local friends.  Noreen Lawlor’ poetry is filled with wisdom and often humor.  Poet Cynthia Anderson, acclaimed for her perceptive reflections about nature, teamed up with watercolorist Susan Abbott in Now Voyager.  

​Even my Facebook and Instagram feeds are fill with artists, writers, dancers, musicians and more.
I know the visual artists whose work generally makes me want to get out my paintbrushes...Matisse, Picasso, Redon, and many contemporary artists. Hover to see artists and titles. You can see I draw inspiration from many sources.

​​To WHOM do you turn for inspiration to pursue the creative process?
I am grateful to meet regularly with a group of women painters to discuss art trends, review each other’s new work, encourage and occasionally exhibit together. I wish I had a photo of our last very animated gathering.

Finding your GENES
Were certain relatives in your family tree especially inspirational?   Did you have grandfather who danced?  A great aunt who recited poetry or inspired you in some way?  Find out more about their legacy.  Imagine how excited they might be to share their artform with you!

 
Setting the SCENE
Consider which time of day inspiration most often visits you. If it’s not your “creative” season, pretend it is—seek autumn colors and poetry, find winter glow in candles and cool colors…you get the idea!
Create a gathering to share —host a coffee or meet in an inspiring setting. Attend a concert or play. Visit an art gallery. Invite friends to play musical instruments, paint, write random poetry ~ so many options
 
Finding the WORDS
 
…from philosophy, painting and theater….
 
“The aim of art is to represent not the outward appearance of things, but their inward significance.”
Aristotle
 
“Art washes away from the soul the dust of everyday life.”
Pablo Picasso
 
“You use a glass mirror to see your face; you use works of art to see your soul”
George Bernard Shaw
 
 
You know who are your muses and encouragers? Seek them out!  Gather with them.  Drink in inspiration as you would a cool summer thirst-quencher.
And most important…encouragement and inspiration are generated when you give it back. Encourage other artists.  Even if it just means giving a child a crayon and paper!

As we approach summer, what will entice you to read a blog?
Advice?
Encouragement?
Instruction?
Good news?
 
As my favorite season approaches, I think of mornings spent journaling and reading on our backyard porch swing.  I think of mornings and afternoons painting on the patio.  To me, forever bound to the traditional academic calendar, summer tempts me with the colors, tastes, and textures of lemon meringue pie and sweet juicy watermelon!
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If you are a painter, these colors are just as tempting pouring out of the tube! I am ready to set up a table of summer delights and begin painting!

As summer approaches, what nurtures your creative practice? Healthy foods strengthen our bodies, and sunlight and water support healthy growth for living things. Another crucial element for creative growth is respect.

Recently, partly due to an overlong winter, I have noted a bit of grumpiness, belittling and inconsideration creeping into creative events in which I am participating.  It’s baffling at times. How are we to react?
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In all areas of life, we flourish when we have the respect of those around us. As I Google “respect and creativity” I find a gold mine of ideas. Respect is vital in healthy day-to-day experiences. When we set out to create and develop our talents, we are seeking joy and purpose! Not all of our endeavors can be as smooth as lemon meringue pie or as tasty as watermelon, but respect certainly helps cultivate creativity.

I know I, too, can get caught up in critical behavior.  Let me make a few suggestions for the art community, using the acronym R-E-S-P-E-C-T.
 
R eview and redirect our own behavior.  Compliment before complaining!  Avoid joining in the whining and criticism. 

E mpathy -all artists young and old need encouragement and consideration.  We teach this to our young. Are we considerate when encountering an artform very different from our own?  Do we support those who are learning new skills?  Recently, I bought a piano keyboard recently, and it’s a great reminder of my lack of skill.  I am delighted with my very baby steps!

S pirit and Support – An individual’s spirit can be easily crushed.  While direction and guidance may be given, kindness is crucial! We grow hardened to heartless behavior, but we don’t expect it from our art community
Pay attention and pay it forward! Listen and speak a few kind words when we see someone suffering from harsh remarks.  We talk a lot about bullying, and some of our leaders are not modeling the best behavior. Help make your art community an encouraging environment!

E tiquette-an old fashioned word for good manners.  Let’s hope they never go out of style!

C reativity flourishes in a respectful environment.  Artists deserve dignity. We all are a little wary when someone is watching over our back—but the difference between callous criticism and loving kindness is like night and day!

T houghtfulness-Creativity is a thoughtful procedure. Nurture your own creative forces and those around you in a laboratory, greenhouse, conservatory or studio that boosts creativity.  Take your Vitamin R (Respect-no chemical or app intended) Respect yourself! Respect Others!  Respect your surroundings! 

Find a subject to paint that brings joy this summer: the seashore, a hiking path, fresh fruit or flowers, a favorite model—perhaps on a porch swing! Remember to respect the work you are doing and those of artists around you!
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And thank you to the many sweet people who have encouraged my practice and helped lift my spirits. Sunshine brightens the mood of any painting!

P.S.  I promise to post more about France and my sketchbook soon!

It’s spring and it’s easy to become steeped in busyness.   The urgent screams, but we must search out the most important.

I am pondering artists who spoke to my heart in my youth. As I pack for a trip that will include an art retreat, I need only take the minimum. At home, I collect.  Travel teaches us that less is truly more, one of the many paradoxes in life.  After a muddy wet season, we have a spectacular Superbloom.  After a mild injury, I absolutely delight in good health and recovery.  Separation from our comfort zone leads to growth, expansion, regeneration…and a few steep learning curves.
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Turning a significant age this year gives me pause. 

I find myself returning to some of my early favorite artists and that’s ok. I had an early love affair with the French Impressionists and artists rooted in their techniques. I was enchanted by the brilliant colors and patterns.  Impressionists, Expressionists, Post Impressionists caught my eye and captured my heart.  Bonnard, Gauguin, Van Gogh, Matisse... (examples follow in order)   

​Early California painters were also influenced by these mavericks and the magnificent scenes of the Golden State. As a Californian, two female painters, Donna Schuster and E. Charlotte Fortune come to mind. (below)

​At least for now, I may retrace the lives of some of my old favorites and why not?
Looking through my essays from decades ago, I found a paper on the influence of environment on painters (featuring, of course, Impressionist painters such as Pierre Bonnard, Edouard Vuillard, Edgar Degas and Henri de Toulouse-Lautrec) I noticed points of interest:   Cafe Gerbois in Paris. Today, with the magic of Google map, I see it is a trendy men’s clothing store.  A footnote on Les Nabis, whose work was characterized by patches of color, bold contours and simplified drawing --- states the term is Hebrew for prophet.  I was correct, it was coined by poet Henri Cazalis comparing the new painters (active from 1888-1900) to prophets of modern art. I noted that the Impressionists, influenced by Japanese prints and philosophy, that Zen Buddhism offered the belief that “the soft will vanquish the hard” – from a 1964 book on Bonnard by Antoine Terrasse.  This may be inaccurate and over simplified definition—but it certainly illustrates my point:
Enjoy chasing the artists who first drew you to painting! Or composers (my music major college roommate was quick to point out that Impressionism influenced composers such as Debussy).
I am enjoying Chasing Matisse by James Morgan, a chronicle of his move to France and fascination with the studios and homes of Henri Matisse.

My challenge for you:
Who were your early favorites?  What drew you to them? Style? Color? Technique?  Geographic location?  Allow yourself to reminisce and ponder painters who influenced your early life.  If art is a new passion-enjoy!
Although technology speeds up research, do not allow a photograph to replace the real thing.  Visit museums, galleries and homes where the real art works may surprise you. 
Last year I visited the Musée Rodin in Paris—and was overwhelmed by his work…alas another study awaits. Decades ago, my visit to the Van Gogh Museum changed my perception.
 
This has definitely been an unusual season.  Weather. News events. As I study the lives of artists and compare anecdotes about them to my life, I realize we continue to carve out the creative lives that are the most important to us!

Sketching in garden of Musee' Rodin from sculpture (models who do not move!) - my watercolor sketch of one of the Burghers of Calais.

Much of what an artist does is observe. When I quietly look—whether it’s a face, an animal, a landscape, or a mundane, everyday object-- I learn more, about the object of my gaze and about myself. Writers, composers, and choreographers, as well as visual artists, carefully study life to collect material to respond and communicate with their audience.
​
Last week, my world suddenly changed! Due to an unexpected fall (are they ever expected?) during our recent snow in the Mojave Desert, my hand is in a cast and my knee twisted (waiting for an MRI). Let me assure you, I feel incredibly fortunate, and this brief rest will allow me time to slow down and ponder many things.

Since this is a painting blog, let’s start with observation. Much of my best work follows careful observation of color, sunlight, small details and how they relate to each other. Yesterday, upon the counsel of a wise friend, I sat in our backyard to quietly to observe and to allow my senses to experience the surroundings. We have a view of open land and often see coyotes, roadrunners, and rabbits among the Joshua Trees as we glance out a window.

​At first, I saw no wildlife.  Clouds slowly moved indicating the approaching storm.  The warm sunlight and gentle breeze comfortably enveloped me. I heard a few bird calls and random dog barks.  Suddenly, a larger bird flew into the cholla, which I was just thinking needed to be cut back.  At first, I was fascinated that he could fly among the branches that are so antagonistic to mammals! He carried something large in his mouth, and I thought he was seeking a safe enclosure for his snack.  Soon another bird appeared, and I thought a confrontation would arise!  Soon, I realized this pair of cactus wrens were building a nest! Well, it is obvious I do not do a lot of bird watching.  However, I was encouraged to be developing my powers of observation, and although I cannot use my hand effectively, I can make mental notes for the future.  I feel like a squirrel, storing up a few kernels.  I love to journal, and without my hand, I dictated into my iPad.

 No matter where you are, let me encourage you to develop your observational powers. Our lives grow incredibly busy, and even the most innocent and noteworthy activities steal our time.

To the left is a sketch made last summer in Gourdon, France.  It was too hot to stand and sketch the view from a tower; instead I yielded to sketching the view from the cool grass under a tree!
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Today, I had been scheduled to teach and all-day plein air workshop for the Desert Institute at Black Rock Campground, part of Joshua Tree National Park. I was sad to cancel.  A bit brisk, but today is one of those gorgeous days we desert dwellers brag about. I chose to drive to the site, close to my home. What a joy to see the clouds, the shifting sunlight, and many visiting campers!  I noted busy figures, brightly colored tents, and the changing values and colors of of the Joshua Tree spines.
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Photography is quite different from sketching, yet it provides an opportunity to record, making mental notes about colors, shapes, temperature and mood. I opened my car window to experience the cool breeze, and I admit I am happy that I will not sleep in a tent tonight.  The wind is now beginning to grow fierce.  I noticed several campers struggling over sheets of nylon and poles, hoping they would magically assemble themselves!

​
Here is a sketch created in France last summer.  I learned so much by carefully observing!

However, when time does not allow you time sketch or paint, mentally note small details such as the jagged silhouettes of mountains, the curve of a mouth, and the color blue of distant hills.  Imagine your pencil or brush on the surface making these shapes.  Note what colors you would mix to achieve that specific tone you see.  Encourage your kids to identify shapes in the clouds! Try to imagine the scene as a black and white study - or take a photo and change it to noir!

These activities do wonders for stress levels as well.  As we move away from the blue screens of our computers and spend time in God’s grandeur – or even a crowd observing the movements of figures, our spirits and minds have time to take a short restful vacation. Spend some quiet time observing! Thank you to my good friend for your suggestion!

So, what’s in this for you?

Living near Joshua Tree National Park is a perfect laboratory for looking at rocks.  I wish I had a stronger background in geology, and no matter where you go, the rock formations on this planet are incredible and unique.

In "Rock Scramble” I reflected on my own experiences scrambling over the granite boulders; hikers often leave the dirt path to scramble over the large round rough surfaces.   I stippled and splattered paint. I used the favorite texture technique:

 1) I paint on a  soupy layer of paint mixed with acrylic medium
 2) let that sit for 30-60 seconds
 3) squirt with a gentle burst of water allowing a few medium sized drops to lay on the surface

 4) wait another 30-60 seconds
 5) apply a paper towel to the surface and press lightly 
 6) remove the towel and voila! There should be a texture where the water drops removed the first layer of paint.

Below are images of the painting in progress and of a participant, Lynda, during a mini "rock" lesson at the workshop.

Above, close ups of three of my new paintings, "Confronting Space" 24x24; "Looking Up" 36x24; "Perched" 24x8-acrylic on canvas.  Below photos from the workshop: 3 Brush-ka-teers; catching that golden hour sunlight, my demo plein air sketch of the eclectic surroundings.

After nearly a week of rain, I am ready for some sunshine. Although we know we should not find glee when dark clouds follow others, I smiled to see that Paris will have rain all weekend, while we finally have sunshine!

What inspiration can we find in the gusty cold of winter?  Looking through my journals I found what I want to share as an artist.

In November, I wrote the following (and have added a few revisions):

As I approach 2019, my goal is truly to set priorities.  In many ways 2018 has been a very good year: travel, workshops, refining my work and realizing how short time on this planet is. 

For 2019:   Set goals, schedule time with thought and be a blessing.

Tonight, we turn back our clocks. We know we cannot turn back time, but we can be in charge of our future. Although we are a part of a larger community, ultimately it is only ourselves we are in full command of.  So much clutter has appeared in my life, and as the leaves begin to fall—I, too, wish to shed extra things in my home, in cyberspace, and time-consuming tasks that lead to nowhere.

Instead— (I want to) strengthen my core being—a winter tree is not dead; it is in a restorative mode.
What a great word!   re-store

Restore relationships, health-exercise practice, recharge my heart attitude and seek worthwhile plans. Seek less ego.

Strengthen:

• Family bonds
• Which friendships
• Hearth and home-ambiance as well as material stuff
• Volunteer tasks
• Heart’s desire – painting, writing, creating​

Like the leafless tree in a restorative winter mode, I am collecting the things that strengthen me, gathering kernels of wisdom and truth, reaching deep within my roots for nutrients, and sinking my roots into rich soil.

I could not resist an acrostic:
Real - the relationships to air, sun, wind, and  rain are intense; with no extra baggage, the real me is exposed.

Energy - quiet, stillness, to absorb

Soul - store up, nurture, conserve

Truth - shed the excess, seek reality - for me,  faith is real: Hebrews 11:1 says,  “Now faith is the substance of things hoped for, the evidence of things not seen.”

Open - to elements, ideas, God, true friends

Read – reward, revitalize

Epiphany – eureka! light at the end of the tunnel, springtime 

As an artist, I am again deciding to embrace the winter light: the clear, crisp, casting shadows from low in the southern sky, but illuminating the darkness. In embrace the quiet restorative time.  I’m not a leafless tree, I am storing up nutrients and wisdom.

Use this time to reskindle energy, knowledge, friendships and creative habits! I know many of you have busy schedules and it is hard to create a space, time and the resources for a restorative practice. As in restorative yoga, which typically involves only five or six poses, supported by props that allow you to completely relax and rest, your activities should do the same.

Happy Holidays!

I sincerely hope that throughout December you will have time to nurture your creative spirit, wheather it's painting, making cards, baking cookies -- or mixing colors in your bubble bath! 

Despite the busy season, I have some projects to continue and need to make painting time a priority--even in short spans! As we know, good habits must be made a priority, and one must make the daily decision to push on!

Painting directly from a scene is wonderful, but often I paint from a study or photo.  Today, I am painting from a photo I took in Paris last summer.  The day was delightful, the light was perfect, and I like the subject captured in the Orangerie at Jardin Du Luxembourg. It conjures up fond memories.  One of the three artists exhibiting, Nicole Gaulier, took time to chat and tell me about each of the artists; I appreciate that she shared enthusiasm for the others as well as herself.  The paintings in this scene are by Hans Bourman.

I am painting on a lovely natural dark beige linen that comes coated with a clear primer.  As I often do, I began with  a pastel pencil sketch on the canvas—easy to change as I go. Many artists use charcoal, but it will leave a black smudge (sometimes a desired effect) unless you seal it.  I like to seal the pastel with acrylic medium and move it around in brushstrokes as I go.

I also create a file of photos with a version in color, black and white, posterized and with high intensity values—to flip through as I paint, using my monitor to view the  images. I do not aim for photographic likeness; I want to convey the light and color effects from the scene. 

By the way, I find it much better to paint before I check email or the news!  Try to create  a schedule that works for you!   I am dovetailing activities (a term I like because it refers to a woodworking skill!)

My steps:
(I began yesterday with a very quick sketch) – step 1) 

• Sketch in dark pastel pencil
• Add white pastel
• Cover these areas with matte medium, allowing brush to thoroughly cover the area and create brushstrokes.
• Add a bit of color…I added ocher, vermillion, brown and some green.
• Cover layers with matte medium.

Watch the slide show below.  The changes are subtle.
 
I’m not finished, but will stop for today. I've made progress and am on my way!
​
I wish you all success in your pursuits this week. Set priorities.  Enjoy family and friends.
Remember the love of the original Christmas!  


Inspired by all of you,

​It is no secret that doing what one loves can help during tough times.  Creative projects can help you and those on your gift list feel comforted this Christmas or Hanukkah.

Although I have been blessed throughout my life, I know that during the rough  and stressful times, breaking out the art or creative supplies has always yielded comfort.

My mother grew up during the depression. She spent hours painting, drawing with pen and ink, designing and sewing clothes, playing the piano -- uplifting her spirit. I taught at-risk teens for decades, and art class was like a balm for many.

Today, as I Googled the phrase “positive creativity helps us through tough times,” I found numerous articles. This Christmas, many of us are reeling from recent tragedies and seeking the comfort of the familiar and natural beauty.

I urge you to think of the creative on your gift list.  Consider:
            The gift of time
            The gift of encouragement
            The gift of space
    and of course,
            The gift of art supplies! or music lessons....

My go-to web sources are Dick Blick, Jerry’s Artarama, and Cheap Joes Art Stuff – and recently, Amazon.  (And, believe me, I receive no benefits from listing these).  Knowing what to buy may be trickier.  Good paper, paint, brushes, pencils, are a personal choice, and you may have to do some snooping and careful investigating. Does she really like that brand of paint?  Does he like the brushes he is using?  Perhaps an artist friend or other family member can help. Does your giftee have a favorite source?

Can you prepare something for the artist? My dad and husband both cut wood for me, sheets of Masonite or wood planks for a painting surface. They have framed my work as well.
​
I have even discovered I love using belt sander and a small palm sander when preparing surfaces. AND I have discovered the electric screw driver.

​Don’t forget your LITTLE artist!
  When I was 3, my dad painted door sized Masonite with blackboard paint. I spent hours drawing with colored chalk AND learning my letters!  Make sure it is hung horizontally so little hands can reach. 
Other ideas include tempera paints, a small easel, a roll of butcher paper (or paper of any sort, the larger the better), inexpensive brushes, watercolors, crayons, colored pencils.  For OLDER children – acrylics (remember they do NOT wash off),  chalk, markers and art aprons make wonderful gifts. Pinterest is full of ideas. ​

​Of all the articles I found today, this one struck most: “6 Simple Ways to Find Comfort in Tough Times” by Holly Lebowitz Rossi. 
Here is a summary of her tips with my annotations:
Comforting Smells - Scents such as lavender signal your brain to relax. I find scents can even inspire art!
Childhood Objects  - a blanket or stuffed animal that soothed you in your younger years may do it again! I often set up an inspiration table with beautiful objects that were my mother's or I have collected.
Nature remains steady through change. Feeling awed by nature can help you make positive decisions. A walk outdoors or bringing nature inside can inspire - flowers, fruit or even a bundle of dried pods and weeds.
Reliable Reads - Cozy up to books that you have read again and again. What authors comfort you?  For me it is often Madeleine L'Engle or a a travel log and always, the Bible (try the poetry of the King James or a modern version like The Message). My mother read Pride and Prejudice 17 times! 
Instrumental Music can soothe. Whether you listen or play, it can comfort. I recently bought a keyboard--and my elementary scales bring me comfort.
Soothing positive Self-Talk can remind you that you are loved, safe and strong enough to weather life’s storms.
​
We need help through both the cold winter and tough times. And if you want to give  someone a HINT- you may want to print this blog and leave in an obvious place—for Santa’s helpers!

What an abundant month October has been!
On the first Saturday of October, I had the pleasure of teaching a painting class for the Desert Institute at Black Rock Campground in our beautiful Joshua Tree National Park.  The weather was lovely, and my 6 students and I painted and lunched al fresco! My next class will be on March 2, 2019 https://www.joshuatree.org/desert-institute.html  In fact, several participants visited Studio 27 during the art tours; the last photo shows one who brought his painting to show me after some touch ups at home!

​

 In the Hi Desert, October marks Hwy 62 Open Studio Art Tours.  This involves not only preparing artwork but creating the atmosphere you want guests to experience in your “studio.”  Despite the wicked weather and crazy flooding that occurred throughout Joshua Tree on October 13th, I was very fortunate to escape the mud and welcome guests to Studio 27. Kudos to friends and family as well! My friend and fellow artist, Marjorie, offered to assist both days.  Previously, she and I have shown together during the tour. Lots of credit is due to my husband for clearing the “unartistic” debris! Reflexologist, Miriam Turner, was available with lots of free hand massages and full foot and hand reflexology.  https://www.miriamturnerproducts.com/Product-Reflexology.htm

This year has been one of rich opportunity. Short trips throughout California and a vacation in France have provided me with inspiration for new work. Despite many years of teaching art, each class drives me to explore new approaches to suit the experience.

I am especially excited about an opportunity to teach a new workshop at the historic and charming Campbell House Bed & Breakfast and gardens in 29 Palms January 22-24, 2019. (Tuesday 3 p.m. – Thursday noon) Believe it or not, January is generally a lovely and sunny time of year.

My Gateway Getaway: “Desert Landscape Painting in Water Based Paints,” workshop offers a unique opportunity to enjoy the Mojave Desert near world famous Joshua Tree National Park and to explore your creative side. Campbell House has recently built a modern studio workshop and new cottages, all in the style of the original historic New England style home. http://www.campbellhouse29palms.com/

This workshop will be limited by the small number of rooms available-so register early.  The deposit deadline is December 1, 2018. Please contact me at janis@janiscommentz.com  if you are interested or have questions.  $399 + tax will include:    
·  painting instruction by Janis Commentz, local artist and 40 year resident of the area
· 2 overnight accommodations (single occupancy) and breakfast at the Campbell House and Cottages                                                                                   
· Box lunch on Wednesday
· Use of the modern workshop/classroom
· Access to the Campbell House gardens/facilities 
Note:    Dinner Tuesday and Wednesday are on your own.
           Participants provide art materials.
          Taxes not included.

The Campbell House was recently featured in the Washington Post!  ​I sincerely hope this year has provided experiences that have sparked your creativity and fed your soul.  Most often, a harvest depends on planting.  Sow seeds of intention! 

In our community, “art season” is in full swing! I know a lot of artists (including you know who) are working hard to frame that last print, paint those last brushstrokes, get those hidden corners of their studios ready, taking vitamins to ward off fatigue and colds...in preparation for Hwy 62 Open Studio Art Tours.

Be patient with your artist friends!

Artists, take a moment just for YOU. Appreciate your God-given talents. The world will love your art (at least those who count!)

B-R-E-A-T-H-E!

This morning I spent time reading and reflecting.  “Be still and know that I am God,” is a favorite scripture that reminds me - that it is not all about what I am doing that counts.  I need to stop, relax, and be open to the gifts that flow through me. 
​
The song “Let It Go” from the film Frozen tells part of it. Many philosophies echo these sentiments…because they hold truth.
               When you let go, you create space for something better.
               When you let go something magical happen, you give God room to work.
               Sometimes letting go is an act of far greater power than the act of hanging on. ~Eckhart Tolle
               You only lose what you cling to. ~Buddha
​               Let go and let God.

If you are stressing out over your creative pursuits, it may be time to step back. I often forget that my creativity is a gift, a time to enjoy the dance and to let things happen on the canvas or paper.

Spontaneity is when the most magical things happen in art. You will remember the “rules” you learned about color harmony or perspective, but allow yourself freedom to break creative rules or play with them as you like.

Most inventors tell you it is when they were in a relaxed state-the invention came to them. 

An excellent film about the powerful and delightful spontaneity of creativity is the 1968 (yes it’s a bit blurry on You-tube, but worth the viewing) Why Man Creates. I remember seeing this film in school in elementary school.  In fact, Saul Bass’ Why Man Creates won the Academy Award for Documentary Film Short Subject.

often​As I enter the BUSY fall season, I am reminded that it is crucial to slow down, to make wise decisions and, as they say, to smell the roses. I need to ponder, meditate and create.

Each year, I vow I will make my life a bit easier and more peaceful. I know we have commitments to a family or work responsibilities (and a combination of these). Let me encourage you to review your calendar and carve out some creative time for you. I truly believe this time spent enriching this right side of the brain and imaginative part of you will benefit other areas of your life.
​
Although I love solo painting, I find I often create best during scheduled activities. My theory is if you plan creative time, it is certainly much more likely to happen! You do not have to dream up a massive project.

You can:

• Watch a YouTube video.
• Set aside a special regularly scheduled time and space (weekly, monthly) to create.
• Visit to a site you’d like to sketch or attend a class or workshop.
• Join an art association.
• Meet with a group of other painters.

This year, I ended up doing more than I planned and thankfully these activities resulted in new art!

My schedule included teaching classes, attending workshops and art retreats and vacations.  Each of these provided opportunities to sketch, photograph, paint, dream and paint upon return.     
    
I have learned to carry a small travel art kit. When traveling, I pack my necessary supplies into a 9” x 12” nylon mesh zipped bag. Inside: a small watercolor set with 12 colors, 2 brushes, 6 Inktense watercolor pencils, 2 sharpies, 2 mechanical pencils with erasers, and a spiral 7” x 10” 140 lb. watercolor pad. The mesh bag allows supplies to dry out. This can easily fit in a carry-on suit case.  Add a bottle of water and clean paper towels as you travel. Be brave! Take that art kit with you and sit down and paint or sketch your surroundings or a creative idea that pops into you head.

When my car is available, of course, I tend to pack more. 

Another trick: put art supplies in a special place or container.  It can be a small zippered bag (which I found in the travel section of Marshalls!) as I used to travel, a small table or basket. Many people creatively journal their scrapbooks.

My wish for you is to re-evaluate the amount of time and energy you have—in combination with a busy family or demanding job.  Before the holiday season begins, grab a bit of time and space for creativity.  Reward your art spirit!

I am happy to be teaching a new class for the Desert Institute at Joshua Tree National Park this fall on Saturday, October 6th for beginning to intermediate painters. If you have never painted and would like to learn more, this may be for you. If you want to sketch and paint in the beautiful Joshua Tree National Park, this is a great opportunity. There are a few more spots open!  Capturing Joshua Tree Landscapes with Acrylics Fall 2018
by Desert Institute at Joshua Tree National Park
$60 – $70

DESCRIPTION
Few destinations offer a landscape as unique as Joshua Tree National Park. Spend a day painting in beautiful Joshua Tree National Park. In this one-day class, you will focus on observation, setting an intention for the day, landscape details and painting brushstrokes full of color! Learn to create thumbnail sketches to develop a successful composition. Janis Commentz is known for her color-intense palette and loose brush strokes. You will learn to condense vistas into simple elements to paint and to record in shadow and light. Learn to mix believable landscape colors. Develop tools to sketch and paint on canvas. The morning will be spent outdoors observing, sketching, learning what to look for in a potential landscape and blocking out a sketch on canvas. The afternoon will be spent developing your painting, using acrylic paints. For Beginning through Intermediate skill levels.

I am grateful for a wonderful, adventurous year, and the most exciting event has been my recent trip to France: Paris and the Dordogne River region.
​
As many, I know much about individual French artists, but really have never studied French culture and history. I was determined to seek out some lesser known destinations and was rewarded! What a symphony of color and harmony!  A mix of contemporary, traditional and ancient art.

First thing: the French simply do not do ugly.  Every water faucet, stairwell, door, lunch menu is created with beauty in mind.  The more I learn about the French, the more I realize their way of life embraces taking more time to enjoy beauty. Almost French, by Sarah Turnbull, sensitively and humorously describes her experiences with her Parisian husband. She has experiences and grown to appreciate the philosophical differences between the French and her native Australians. One anecdote explains much: her husband was shocked that she slipped out to the patisserie in her “pantalones de jogging.”  It was not respectful to the baker!
​
On my third morning in Paris, I took an early morning walk. Having an (unnatural) difficulty with directions (north, south, east, west) in the deep canyonlike streets, I headed east toward the Pink Parisian sunrise.  Map and phone in hand, I set out toward Raspail Boulevard.  Le Bon Marché, elegant historic department store, was not open, but through the large windows, I saw employees scurrying to prepare artful counters. Donned in bright green neon vests, the green cleaners were sweeping after water had spurted from ducts in the curbs to clean the gutters. Here’s a link to an informative article about this phenomenon: https://parisianfields.com/2012/03/11/a-most-unusual-water-system/

So many delights: shop windows, markets, a Fabriano paper/calligraphy shop above), all before 7 am!
 
I barely scratched the surface of Paris and Dordogne region art, and yet, I took in so much! 
     Paris highlights included:
Post-Impressionists at the Musée d'Orsay
Mary Cassatt at the Jacquemart-Andre
Musée Rodin
Musée Picasso-of course, not French.
Musée Yves Saint Laurent, designer
     Contemporary galleries at
The Orangerie Jardin du Luxembourg
Galleries on Rue de Seine
Galleries at the Place des Vosges

Various art galleries near Sarlat-la-Canéda and Domme
And OLD art –talking caves….and the oldest known paintings.

Below:  Art Nouveau door on closed shop, chamber concert at Saint-Chapelle, "After the Bath" by Henri de Toulouse-Lautrec, paintings by Hans Bouman at the Orangerie at the Jardin du Luxembourg, Musee Rodin, Seine from the Île de la Cité, (3 from Sarlat) painter sculptor Véronique Guinard, painter Yan Samson, and painter Anna Doumler.

What is my take away?

Impressionism
In my youth, I almost overdosed on the Impressionism.  Since then, I purposely studied many other art forms.  However, I am incredibly drawn to Impressionism and Post-Impressionism. I saw more paintings at the Musée d'Orsay than I have ever seen in one spot by of two of my favorites, Pierre Bonnard and Toulouse Lautrec, and much more.

​Blue
Blue is a powerful color—and the blue skies, teal rivers, dark cool gray stone buildings, and white limestone canyons definitely suggest a color scheme.

More appreciation for certain artists artists 
We know there is always more to learn.  My background knowledge of sculptor, August Rodin, is scant and I was mesmerized by the extensive collection at his home-now Musée Rodin. I have had a yearning to take a sculpture class (took only one semester in college) or experiment with 3d projects.
I knew more about American born Mary Cassatt, but the extensive exhibit at the elegant Musée Jacquemart-André awakened new desires to paint people and skin tones.
 
New contemporary artists
Painters in various regions have different approaches and outlooks.  The cross-pollination of ideas is healthy! I enjoyed talking to both urban and rural artists about their work and inspirations. (see photos above)

Time alone
I traveled for over 3 weeks alone to a land where I do not speak the language. A bit crazy, and most wonderful.  I made every attempt to greet people in French and to say thank you and goodbye.  I was aided by many, many willing, friendly, gracious English speakers, thank goodness! Texting, social media and email offer a lifeline to family and friends, but I most of the time, I rarely heard spoken English. Museums provided taped tours in English, thankfully! There were a few lonely moments, but, frankly, I know God is with me wherever I go, and I was granted many travel blessings.

​As a people person at heart, today I relish my time alone. Artists need time to view art, allow it to seep into you, to imagine the directions for your own art-making and just to be still. Travel alone provides opportunity for this important personal tranquility in the midst of the busiest surroundings. 

Culture
And don’t get me started about food! Fresh, delicious, artfully created, unique and basically not terribly expensive. Yet, I cooked about half of the time with fresh ingredients.
Time to slow down.  The average wait time for a server at a café in France (so says one report) is 17 minutes. Just relax, get out your sketchpad or diary! Oh yes, I was sketching endlessly.  Enjoy.

As I posted recently: Travel Note:
I am very grateful I was able to travel this summer, and in sharing, I hope to encourage others. Sometimes – it’s not how grand the trip is, but in pursuing a dream or short vision. The planning and studying are almost - almost - as fun. I learned so much: confirmation that people are people everywhere and most I met were wonderful! 
​
I know my art will be affected. Just watch. 

Sometimes painting is more about looking and enjoying.  I love to visit art museums, galleries and sights that inspire me.  Our busy schedules hinder rather than foster creativity. I remind myself that life is not a race. I want to slow down, enjoy and take time to be grateful.

​A happily unexpected situation is sending me to France.  Yes, an artist’s dream.  After a great deal of time research and study, I wish to dive into my holiday, like diving into a cool French blue swimming pool. To be delighted by beauty, refreshed by color – and even cooled off by a more reserved nature. 

With an old fashioned Roget’s Thesaurus in hand, I note words and ideas about leisure time and vacation.  Ralph Waldo Emerson, who lived in a different world, instructs,
                            “Never lose your present mind and never get hurried.”

With this in mind, I wish to respect people, culture, language, quieter speaking voices, a slower pace.  I want to wander, absorb, listen, sketch, write….

Lovely, peaceful French blue comes to mind.  The French Riviera is known as the Côte d'Azur, the Azure Coast. Since the 12th century, Bleu de France has been used in the heraldry of the French monarchy. Blue is France's national racing color.
​
I imagine the blue of Matisse’s cutouts and the stained glass windows he designed for the Chappelle du Rosaire.  Many of Monet’s waterlilies reflect blue.  Degas’ dancers…Cezanne's Sainte-Victoire....

Looking through blue colored glasses, I see the Paris skyline. Blue has been my favorite color for as long as I can remember. (Photo credit below: Brooke Commentz)

You may not be traveling to Paris, but I encourage you to take some spare time for an “artist’s date” to visit places that inspire your art. Visit a gallery, museum or even local library.  Sometimes a walk around the block helps.

You, most likely, have a color that speaks to you as blue does to me. A quick random look at my paintings  (see image below - from Google Images) reveals that blue predominates.  In fact, a great exercise for me is to paint without blue. 

​As I blogged about green, I promise to discuss blue in the future.
​
In my present mood, I encourage you to simplify your travel or carry in the car art supplies. I will travel light—carry on only.
So, what’s in my bag? All dry supplies – to meet TSA requirements

A small set of Winsor Newton Watercolors about 6” x  3”
Derwent Inktense watercolor pencils – 6 in primary and secondary colors
2 small paintbrushes
2 fine point sharpies
A small watercolor paper tablet – 7” x 10” 140 lb. weight
And my new iPod. I’ve been practicing with Procreate….

 This summer, enjoy the coolness of blue!
         Explore your favorite color! 
​                  Simplify your painting routine! 
                            Bonne peinture!  Happy painting!

The digital age has certainly changed the way we do almost everything.  In the 90’s, I was a bit saddened to learn that a designer friend rarely used her real paintbrush, revealing my old fashioned preferences.

Typewriters and carbon paper reigned when I was in college, and I spent a good deal of my teaching career transitioning to the digital world.

Recently, a friend planned a travel workshop to include architectural drawing using an iPad. I saw the advantages of a small tablet but was skeptical. However, a recent Apple store class, my eyes were opened!

Yes, I jumped in with the purchase of an iPad and stylus.  I have wanted one for a long time, and a travel opportunity, where I will retrace my friend’s itinerary, is providing motivation.  I dutifully down loaded a program called Procreate, (a bargain at $9.99 after purchasing the iPad!). I am somewhat familiar with Paint Shop Pro, but this is adding an entirely new drawing dimension.

The young Apple class instructor reminded me of my innovative and enthusiastic high school students.  She knows her material, and by luck, the free class had only two participants, both retired teachers.  We walked to a nearby quiet outdoor garden area, where she explained as much as she could about the basics of the program in 90 minutes.  She also shared some of the mistakes she has made during the past year using Procreate-and how to solve them!  I spent the rest of my errand-filled day sketching with the iPad—at the car dealership as I waited for service and at a restaurant.  I knew I had to practice individually or I would forget my new lessons. I will return for more classes - a 45 mile trip for me.

​So – my initial opinions.  I still think drawing, not tracing, is important.  I have a hard time calling a photograph which has been digitally manipulated to appear liked a brush-stroked work a painting. The Procreate program (and many others) gives you a variety of “sketching/painting“ tools in a variety of sizes.  I found it was easy to download a photo of one of my own paintings and create a color palette from it-voila!  My own palette.

My iPad is small.  It will never be the same as drawing on large paper or canvas- the flow is not the same.  However, for catching color, light, what you see…it’s great and my short experience is only a beginning.  For travel, it should prove useful.  I will still pack some pencils, a sketch pad, and watercolors.

I first entered the digital art world last year experimenting with photographs of my own paintings. These have proven popular. Color schemes, values, and backgrounds  can be modified with almost a click! 
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For centuries, artists have used innovative tools, and this is another. Drawing and painting are unique experiences to be savored. However, painting digitally certainly gives one’s brain a workout, and the results are impressive.  Have fun – and don’t worry about having to wash out those brushes!

Many aspiring artists ask how to learn to paint. I have always recommended a trip to the library for some good books on painting. Today, the Internet (you are already here!) offers wonderful resources as well although it is often difficult to know where to begin.

Best of all is watching a live artist demonstrate. The camaraderie and energy from a group that is passionate about a process cannot be reproduced in a book or online.

Although my mother was an accomplished artist, she knew the importance of experiencing workshops.  When I was 9, she enrolled me in the local art association’s watercolor class; I vividly remember learning the process of taping the paper to a board, wetting the paper, painting “wet into wet” and painting from the still life – bright watermelon!

​As a child we often take our parents for granted or reject their advice in the quest to learn about the outside world. I continued to draw, paint and even listen to my mom!
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After 35 years as a teacher, my retirement has given me an opportunity to explore and begin to nourish my own style.

Each year, I have been very fortunate to enroll in a multi-day workshop.  I find workshops offer a jumpstart to technique. You lay aside several days to devote to making art.  You remove distractions of household chores, family and other obligations. Generally, you assemble and buy new materials. You have paid tuition and want to get your money’s worth.

​On a more creative note, you select a teacher because you are attracted to their style, and you will be surrounded by other aspiring painters who admire this teacher.  I find there is an energy among these individuals pursuing a similar goal which will carry you for many months. A good teacher will show you techniques and materials you have not seen before, even if you are an experienced creative.
Learning to see something in a new way is a wonderful lesson. Recently, workshop instructor, Pauline Agnew, from Ireland, was enchanted by the vivid colors of the ice plant –a non-indigenous plant considered invasive today. Ice plant (Carpobrotus edulis -shown below) was brought from South Africa in the early 1900’s to stabilize land.  However, learning to see beauty in common objects is invaluable to an artist.

Below are two of my new works including the red ice plant encountered at Ponto Beach, Carlsbad, CA painting during the workshop with Pauline Agnew. (acrylic on watercolor paper)

​​Some of Monet’s glorious impressionist works depict the billowing, polluting smoke from the railways, such as The Gare Saint-Lazare: Arrival of a Train  (shown below) painted in 1877. But what color!

​I encourage you to look for painters with whom you would like to study, either by word-of-mouth, social media, galleries, online and in magazine listings…but really ask people who have studied with the individual for their reactions. Research artists your favorite artist follows on Instagram.

Artist I have studied with and recommend include the ever-effervescent Robert Burridge, Ray Roberts, Peggi Kroll Roberts, Melinda Cootsona and a Pauline Agnew. (My photos of the instructors during the workshops I attended below) Last photo: Yours Truly at Pauline's workshop.

Another opportunity is community college. I have great respect for community colleges. During high school, I took classes at Los Angeles Harbor College. Instructor, John Cassone was incredible, as good or better than my university professors. I used many of his design exercises as a high school art teacher, and early lessons in life drawing were priceless. 30 years later, when I sought to revive my art experience, I enrolled in a life drawing class with Cathy Allen at Copper Mountain College.  Inspired, I founded and facilitated a local life drawing group which met for over eight years. 

I would encourage you to look through local community class catalogs, community college schedules and other art associations for teachers near you. If this is out of reach for you at this time, take yourself on an “artist date.” Brilliant author and teacher Julia Cameron encourages assigned play. She describes it as:

​“The Artist Date is a once-weekly, festive, solo expedition to explore something that interests you. The Artist Date need not be overtly “artistic” — think mischief more than mastery. Artist Dates fire up the
imagination. They spark whimsy. They encourage play. Since art is about the play of ideas, they feed our creative work by replenishing our inner well of images and inspiration. When choosing an Artist Date, it is good to ask yourself, “what sounds fun?” — and then allow yourself to try it.”
 
Develop your practice, yet remain free to play!

Ah, today we are having gusty winds up to 34 mph – rather common for the Hi Desert near Joshua Tree. However, I never enjoy them and wish for the quiet stillness.

Too windy to enjoy the outdoors, I see everything in motion through the windows as I write this.  Each bit of vegetation is waving in sunlit motion, the patio tablecloth flaps (we long ago devised a clamp system to keep it in place) and the loveseat swings (the frame attached permanently to the patio pillar after many topples). 
The wind’s ever-present whooshing surrounds the house.

In motion....

Although we often resist change, our lives and paths are ever in motion.  To be alive means to change, hopefully in a positive direction. The winds howl, blow up a little dust, and we see things in a new perspective.

How do we clear the object strewn path to creativity? 

Goal 1- Carefully choose activities in line with our mission in life (prioritize and eliminate!)

I am striving to set priorities and really examine what I like to do.  I enjoy painting and writing, but recently I have allowed many forces to distract me and take me on detours.  I am narrowing my goals and reviewing my personal mission. Ironically, the burgeoning “artists haven” in which I live has lost much of its privacy in a competition to distill and showcase the local vibe. You may be experiencing your own version of life and community clutter or the rich adventure of family and responsibilities.

I encourage you, at least for a part of your day (week, weekend, month) to dream of and focus on what you really love. It’s not that we do not wish to encourage other artists around us, and I personally see encouragement as a part of my mission.

However, seek a time and place to develop the interests, skills, fields of knowledge that are unique to you.  These interests began to grow like tiny new leaves when you were a child and perhaps have been smoldering under a dampened fire for years.

Fill in your blank: I wish to _______________________________________ (paint, sketch, sculpt, sing) every (day, week, month season…)

Study, develop your God given talent, paint what you want to paint, not what has been suggested, deemed sellable, required by an exhibit or other outside factor.  A mini-vacation of creating.

Goal 2 - Multi-task less. Attempt to do 1 or 2 things at once (not 14!). Focus. Meditate. Be present in the activity and purpose.

I have become a master at multitasking, but in my hurry to accomplish much, my own experience of enjoying what I am observing, sensing, painting, and appreciating is diminished. 

Life is a huge smorgasbord offering delicious ideas and treats along the way, and I want to partake and participate, often at the same time!   I want to be creative, care for my family, give time to important causes community and stay sane.

Yet, taking on too much dries up my creative juices.  If you are doing activities simply because you started, someone else thought I should do it or it was just the next step, STOP.

What do you want to do? Is there a time and place of your own (even the car on the way home or to work), a stop at a garden, café, library or and many young parents know—the (yes) bathroom.

• Turn off the computer and read.  Light a candle or incense
• Place a bowl of fruit on the table and sketch.
• Pack a basket of drawing materials (charcoal, pastel pencils and a tablet) in your car and stop when you see a beautiful sunset, shadowed landscape and sketch-record.
• Find a documentary on an artist, country or other passion and watch (without texting or, computer surfing). Doodle if you must!
• Place the ingredients for your next meal preparation on your counter (multitasking by listing to music is ok!) Focus on their color, texture and your end creation.  Sample along the way. Think of painting each ingredient.
• Attending a yoga class takes me out of my busy world and forces me to quiet my brain and senses and feel the movement. I create my best paintings and projects (in my mind) during these sessions.

 
If you feel a need to set goals and enjoy the process more, join me, on this journey to burst out-and clear a path to a meaningful and creative process. Stress, dust, fatigue, over stimulation can deprive us of our own ambitions. Take time to remember your sacred flame, your inner spark - that seed within you that yearns for direction and nurturing.   Look for future blogpost describing simple colorful ways to explore creatively – in a short amount of time and with limited fuss and preparation.
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Happy creating!

I began this blog in January to provide concrete painting tips, inspire beginning painters, and to post information to class members.

Today, we have quite a bit of rain in the Mojave Desert! However, last Saturday, St. Patrick's Day, was beautiful. I taught a painting class in gorgeous Joshua Tree National Park, and although it was a bit windy and chilly, we had a good turnout and day. So today is a great day to share some new thoughts on old ideas!
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COMPOSITION

Besides selecting materials and mixing colors, a painter must plan composition. It is your foundation! I believe considering composition becomes an intuitive habit the longer you look at paintings and create your own.  Whether you are drawn to objective or abstract painting, talking lessons from the old masters and known composition elements is always a good idea.
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My most recent class was plein air (fancy name for outdoors) landscape painting.    I urge my students to make a series of quick “thumbnail” (small-yes larger than a thumbnail, but typically no larger than 3” x 4”) sketches which catch the essence of the subject and lay out composition, planning darks and lights.  Each drawing should take no longer than 5 minutes, and it’s important to do 3 to 5 sketches. You redefine your view, your subject and create a better plan.

Above: August Agave, acrylic on canvas, 12" x 12"

Tools
I often use inexpensive mechanical pencils (no need to find your sharpener) or lovely soft art pencils.
Use the eraser as a reverse tool; shade an area and “draw” into it with your eraser.
Begin to see your scene as a pattern of darks and lights, shadow and drama.

A great tool is a piece of red plexiglass. When you look through, you see only the values, the lights and darks. An inexpensive version can be found at Cheap Joes. A more durable version with a grid and mirror can be purchased from Peggi Kroll, Instructor

Avove: Peggi Kroll's Red Plexi
Take a photo with your camera and turn it to mono or black and white.  But do not spend too much time with this-  look for the general pattern of lights and darks. 

Horizon Line
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A first concern for painting a to landscape or any painting, is where will your horizon line fall?  Even abstract paintings often have a definite horizontal line. Throughout history, certain measurements have been considered pleasing to the eye. The ratio of 1 : 1.618—not quite 2/3 (extremely rounded off) was named the golden ratio by the Greeks. The ratio proves pleasing both vertically and horizontally.

​Simply put, you do not want your horizon line in the middle.  It will be more pleasing a little less than 2/3 up the page or 2/3s down from the top.

​Composition Examples
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Several basic composition templates prove helpful. Note most place the horizon line off center – about a 1/3, 2/3 or with the 1: 1.62 ratio.

Another helpful hint, as in Japanese flower arranging, Ikebana, an uneven number of objects is more pleasing than an even number.  This avoids symmetry and equal balance, which are actually seldom found in nature.
 
I find a good technique to improve composition skills is to look at works by old masters or painters whom you admire and create a quick thumbnail sketch.
Here some samples of my very quick sketches; you will find they often follow basic composition models above.

Van Ruisdael

WM Turner

Paul Cezanne

David Hockney

Grant Wood

Julian Onderdonk

​Each of the Design Elements (color, line, shape, texture, space, form, harmony/unity, and balance) will be considered in time. For early planning purposes, we consider line, shape, space, balance and placement of darks and light.
 
Once you have created a thumbnail sketch that you wish to use, transfer you sketch to your canvas, gessoed watercolor or other surface. I like to use pastel pencils, sometimes in various colors as scene here.  I then cover the sketchmarks with acrylic medium. See photos below.
 
You are  ready to begin painting!  Watch for a future blogpost.